Hey Gang, Here are some mics that sound very good. I use them in the various systems going out all the time. I really blundered across the Avlex Mipro Superlux family of mics and one after another kept adding them to the rigs. The deal is this; There are great mics out there that don't say Shure, Sennheiser or AKG on them. The music store dudes don't stock these because they don't sell themselves like the big names do. Thes mics all sound great and I use them all the time on some big name acts. If you want to pay three times the money - I do carry Shure, Senheisser, Audix etc - email me for a quote. If you want to take a chance and step outside your "comfort zone" for a deal; try any one of the mics on this page.
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| Click for the S241 Overhead Condenser |
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| Click for the CV41 Vocal Condenser |
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Drum Set Mic Kit Superlux DRK-B5C2 Shure
Some of you guy’s that follow my auctions remember me getting into the Superlux line for over heads and selling all of my Shure SM81’s. That led me here. I found a review that really goes into a lot of detail on these mics and is a must read if you’re looking for a drum mic set. It starts out………..
Getting a great drum sound is a slippery business – there are simply so many factors to consider. It’s an art that can take years of trial and error to learn, and no amount of theory will give you the experience you need to know precisely where to place a mic, how far from a drum it needs to be and so on. One drum kit and a single set of microphones can yield dozens of different recorded drum kit sounds, while that same combination can also produce live drum kit sounds. And when you throw into the equation different drummers and how they play, it’s no wonder the subject can be daunting and frustrating. So, arming yourself with a decent set of microphones – the responses of which you can learn to predict – can save you an awful lot of grief. Click here to read the whole review (well worth the read) drk-b5c2-drum-mic-set review
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- Five custom-engineered Supercardioid dynamic drum mics
- Two custom-engineered Super cardioid Condenser drum mic
- Road-ready all-metal construction
- Low-profile percussion-style design
- Built-in adjustable stand mount for quick setup and adjustments
- Each Kit includes:
- Three PRO-228A TOM mics, One PRO-218A KICK/BASS mic, One PRA-288A SNARE mic, and Two PRO-268A Cymbal/Overhead mics.
- All in a durable Hard Shell carrying case
PRO-268A Cymbal/Overhead Microphone Specifications:
- Element: Back Electret Condenser
- 9-48 Volts Phantom Power
- Polar Pattern: SuperCardioid
- Frequency Response: 50 - 20,000 Hz
- Open Circuit Sensitivity: -45 dB (6.0 mV / Pa)
- Impedance Impedance: 200 ohms
- Weight Weight: (280 grams)
- Max SPL 140dB (THD<1% 1000Hz)
- Output Connector: Integral 3-pin XLRM-type
PRA-288A SNARE Microphone Specifications:
- Element: Dynamic
- Polar Pattern: SuperCardioid
- Frequency Response: 80 - 20,000 Hz
- Open Circuit Sensitivity: -56 dB (1.6 mV/ Pa)
- Impedance Impedance: 500 ohms
- Weight Weight: (110 grams)
- Max SPL 140dB (THD<1% 1000Hz)
- Output Connector: Integral 3-pin XLRM-type
PRO-228A TOM Microphone Specifications:
- Element: Dynamic
- Polar Pattern: SuperCardioid
- Frequency Response: 50 - 16,000 Hz
- Open Circuit Sensitivity: -54 dB (2.0 mV/ Pa)
- Impedance Impedance: 300 ohms
- Weight Weight: (185 grams)
- Max SPL 150dB (THD<1% 1000Hz)
- Output Connector: Integral 3-pin XLRM-type
PRO-218A KICK/BASS Microphone Specifications:
- Element: Dynamic
- Polar Pattern: SuperCardioid
- Frequency Response: 20 - 10,000 Hz
- Open Circuit Sensitivity: -64 dB (.63 mV/ Pa)
- Impedance Impedance: 45 ohms
- Weight Weight: (350 grams)
- Max SPL 170dB (THD<1% 1000Hz)
- Output Connector: Integral 3-pin XLRM-type
- This Kit has full factory warranty
- $349 Delivered anywhere in the world Priority Mail US Postal Service.
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